tag:blogger.com,1999:blog-18328760194563796372024-03-05T08:55:41.836-08:00Thomas PachoudMultimedia engineering and visual artist for live performance and interactivity.Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.comBlogger23125tag:blogger.com,1999:blog-1832876019456379637.post-77534714018086708692015-03-14T04:05:00.001-07:002015-03-14T04:06:16.481-07:00performance Hyperlight - une vidéo et un nouveau rendez vous.Après une magnifique première présentation au lavoir public dans le cadre du Mirage Festival le 27 février dernier, vous pourrez nous retrouver <u>le 4 avril à la mac de créteil</u> dans le cadre du <a href="http://www.maccreteil.com/fr/mac/event/342/MAC">café europa de Mac+</a>. Vous pourrez aussi en profiter pour aller visiter l'expo <a href="http://www.maccreteil.com/fr/mac/event/338/Home-Cinema-Festival-Exit">Exit</a> à la mac de créteil, le billet vous y donnant accès. ;)<br />
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Pour les personnes interessé, j'animerais aussi une conférence/workshop le 3 avril autour de l'utilisation du laser en spectacle ou installation.<br />
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En attendant et pour vous faire patienter, quelques images extraites de différents temps de travail et de résidence.<br />
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<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="https://player.vimeo.com/video/122154821" webkitallowfullscreen="" width="500"></iframe> <br />
<a href="https://vimeo.com/122154821">Hyperlight performance _ laboratoire d'expérimentation autour de la lumière et du vivant</a>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-35862217665783466352015-02-22T13:26:00.002-08:002015-02-22T13:26:13.368-08:00Hyperlight _ performance _ présentation au lavoir Public dans le cadre du Mirage<div class="separator" style="clear: both; text-align: left;">
<i>Hyperlight</i> continu son chemin. Après une semaine de résidence à Berlin à Noel suivi de 2 semaines à l'ENSATT ces derniers jours, un work in progress autour d'une performance vous seras présenté vendredi 27 au Lavoir Public dans le cadre du <a href="http://www.miragefestival.com/events/explorations-numeriques-vendredi-27-fevrier">Mirage Festival</a>.</div>
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La performance est pour moi un lieu d'expérimentation et de recherche, labo des possibles ou l'on explore la lumière sous ses différentes formes et textures, tant en temps que matière organique et vivante que pour ses possibilité à créer et moduler l'espace scénique et scénographique.</div>
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Elle se tisse autour de la rencontre entre deux entités, l'une vivante et l'autre lumineuse.</div>
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Quelques images issues de nos précédentes semaines de travail et de recherche. ;)</div>
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Direction Artistique : Thomas Pachoud</div>
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Composition sonore : David Guerra</div>
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Chorégraphie et danse : Thalia Ziliotis</div>
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Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-66978562864759593672014-10-20T10:12:00.004-07:002015-04-26T16:26:07.405-07:00Lumarium - vidéo de sortie de résidence vidéophonic<i>Hyperlight</i> est un nouveau projet de recherche autour de l'espace et de comment on le perçoit.<br />
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En utilisant le médium lumière, pour sa matière dans un espace opacifié, je cherche à créer des espaces sensibles, vivant, et interroger sur les limites de nos perceptions de l'espace.</div>
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De ce projet est né il y a 2 semaines dans le cadre des résidences vidéophonic d'AADN un premier objet, <i>le Lumarium.</i></div>
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Autour d'une trame AudioVisuelle de 8 minutes, il introduit l'ensemble des recherches <i>Hyperlight.</i></div>
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Voici pour vous une première vidéo de présentation du projet, réalisé lors de la résidence au planétarium de Vaulx en Velin.</div>
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<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="//player.vimeo.com/video/109110304" webkitallowfullscreen="" width="640"></iframe> <br />
<a href="http://vimeo.com/109110304">VIDEOPHONIC : Lumarium, au Planétarium de Vaulx-en-Velin</a> from <a href="http://vimeo.com/aadn">AADN</a> on <a href="https://vimeo.com/">Vimeo</a>.<br />
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<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/116143347" webkitallowfullscreen="" width="640"></iframe> <br />
<a href="https://vimeo.com/116143347">LUMARIUM</a> from <a href="https://vimeo.com/aadn">AADN</a> on <a href="https://vimeo.com/">Vimeo</a>.<br />
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Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-89233746025881024272013-11-30T00:00:00.000-08:002013-12-10T06:28:34.171-08:00Satori<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="//player.vimeo.com/video/79186624" webkitallowfullscreen="" width="500"></iframe>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-46345789583790711922013-10-06T00:00:00.000-07:002013-12-10T06:30:16.153-08:00Bionic Orchestra 2.0Bionic Orchestra 2.0 is the performance following the Bionic Orchestra made two years ago with Ezra and LOS. We work during one year with the Atelier Arts Science in Grenoble on an interactive glove to replace the iphone to control the looper.<br />
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I built for this performance different stuff. First the glove, which is able to control all loops, spatialisation, fx and whatever tools ezra is using to create is sound. The glove is based on arduino, IMU sensor and tactile interface then send control to maxmsp which interpret them to control ableton live.
I also works on some video on this setup. We add three screen mapped by video around the audience, and three videoprojector are mapping the audience from above (playing with the light in smoke) and one last is mapping the stage. I'm still using VDMX for this part, and a bit of openframeworks for the advance mapping on audience.
more about the full setup and the glove soon.Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-82632581010116952182013-07-08T00:00:00.000-07:002013-12-24T02:51:28.830-08:00Robot<iframe src="//player.vimeo.com/video/73267626" width="500" height="280" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-65051579796741089172013-02-24T13:11:00.001-08:002013-02-24T13:11:09.382-08:00Installation Organic OrchestraUn petit report video des premières installations construites avec la Cie Organic Orchestra. Plus de recherche autour du papier bientot! ;)<br />
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<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/izkNdvCq6HA" width="560"></iframe>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-81304210787436032272012-10-16T07:04:00.002-07:002012-10-16T07:04:39.217-07:00Ezra 2.0 @ le cubeA small video interview about our performance with Ezra last month at <a href="http://www.lecube.com/">le cube</a><i>.</i><br />
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<a href="http://www.dailymotion.com/video/xu9a18_ezra-29-09-12_creation" target="_blank">Ezra 29.09.12</a> <i>par <a href="http://www.dailymotion.com/le_cube" target="_blank">le_cube</a></i>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-55999245131480778892012-08-01T06:41:00.000-07:002013-12-10T06:43:19.910-08:00MazutMazut is a performance by the Baro D'evel cirk Cie. I work on a water drop system, used in scenography, dramaturgy and which makes the base music of the show.<br />
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<iframe allowfullscreen="" height="281" mozallowfullscreen="" src="//player.vimeo.com/video/78623744" webkitallowfullscreen="" width="500"></iframe>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-13294649949283305412012-03-04T21:32:00.000-08:002013-12-24T03:04:52.101-08:00Proximity tech report<br />
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<span class="s1">I have just finished some really exciting work with the Australian Dance Theatre - ‘Proximity’.</span></div>
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<span class="s1">Proximity is a contemporary dance performance which involves a lot of real time imagery. We have 3 HD cameras on-stage, filming the dancers and playing with their images in real-time then re-projecting it back onto three 4:3 screens in portrait mode at the back of the stage.</span></div>
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<span class="s1">There are different types of effects with the imagery used in the show : </span></div>
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<span class="s1">playing with time and replicating the dancers in space, </span></div>
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<i><span style="font-size: x-small;"> photo Chris Herzfeld, <a href="http://www.camlight.com.au/">camlight production</a></span></i></div>
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<span class="s1">playing with point of view, of the camera, of the audience, of the dancers, </span></div>
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<i><span style="font-size: x-small;"> photo Chris Herzfeld, <a href="http://www.camlight.com.au/">camlight production</a></span></i></div>
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<span class="s1">playing with some fx and adding some custom material to the imagery, mostly through custom Open Frameworks apps.</span></div>
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<i><span style="font-size: x-small;"> photo Chris Herzfeld, <a href="http://www.camlight.com.au/">camlight production</a></span></i></div>
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<span style="font-size: x-small;"><i>my screen and operating setup :)</i></span></div>
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<span class="s1">My setup is mostly made around VDMX5, used as a flexible visual engine. I really love to work with this software which allows a lot of flexibility of the setup, and is very customisable. You can also feed this with Quartz Composer at any level which is great to have even more flexibility.</span></div>
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<span class="s1">For some of the effects used in the performance, I also build a custom Open Frameworks app, which is fed via syphon and then sends back the affected video through syphon to vdmx for displaying on the screen.</span></div>
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<span class="s1">All of the setup is then sent through Maxmsp, running <a href="http://www.tapemovie.org/">tapemovie</a>, a software built with <a href="http://didascalie.net/">didascalie.net</a> french team to record cues, manage fx parameters, layer ordering, layer source (...) during the time of the performance. </span></div>
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<span class="s1">I operate the show from the side of stage wings with an ipad running the lemur apps. The two important aspects of the lemur apps compared to touchOSC or any other are 1) the ability to script and automatise processes and behavior right on the lemur, 2) the ability to send commands to multiple OSC addresses. This means I can send to my main mac pro and to the spare mac pro at the same time. This also means with one button on the ipad I can make everything jump from the primary mac to the back-up mac instantly. It also allows me to send different information to different apps (maxmsp and vdmx in that case).</span></div>
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<span class="s1">On the subject of convenience and reliabilty, all of our video process is driven through SDI. That means some tricks are required for the output as the SDI format is limited to common HD video signals (i.e.16:9 when our actual output is 4:3 rotated by 90). The big advantage to having everything running SDI is that all signals pass through a 16x16 blackmagic SDI matrix, so anything can then go anywhere. To control the blackmagic router, I built a little addition for OpenFrameworks, control from max through OSC, available on my <a href="https://github.com/pach/ofxVideoHubControl">github</a>.</span></div>
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<span class="s1">As I’m working on 3 screen in vertical 4:3, my resolution for the output is 1466x640 (3x480x640 + 2x13px dropped for the overlaping). My first process in VDMX is to send my camera into a custom camera plugin to re-size it in 1466x640 (or 480x640 depending on if made to use on one or 3 screens), add some colour controls, position and zoom control. As most of the time I’m using my output on the 3 screen, I get two plugin for the main output, each one being fed by one of the inputs from my blackmagic studio duo in 720p. I have a third camera plugin made to feed the screen in small size (640x480). This one can be fed by each of my input or by the output of the 3 screen (to replicate the image on the sides). </span></div>
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<span class="s1">I used one main group of two layers with autocrossfading which is the size of the images on the 3 screen. Then I get 3 side layers which is each one used for one screen. </span></div>
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<span class="s1">Finally, all that layers entered into a group which is driving the output. This group is composed by one fx always activate which cut my image into 3 480x640 images, rotate them by 90 degrees and had a GLSL keystone to each one for easy setup and put them into 3 x 720p image for SDI output to the projector (by adding black on top and bottom). </span></div>
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<span class="s1">Then I get one more layer used for monitoring the screen and syphon output. It is most of the time feeding through my main layer for monitoring output, and a few times from the camera when it needs to use syphon to feed my custom OF. This apps then sends a feed back through syphon with the fx in it. The apps render not only the fx but the camera feed as there is frame latency (1 or 2 frame delay) in between.</span></div>
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<span class="s1">The custom OF apps is mainly use for two fx in the show. Both are based on a dancer detection through openCv. I first make a background substraction based on the colour then a threshold on the black / dark to detect their contour.</span></div>
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<span class="s1">The first effect is a particles effects made with an openCL Kernel, mostly based on Memo.tv particles kernel modified for our need. </span></div>
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<span class="s1">The second fx is a kind of web drawn around the dancer. For this one I basically simplified the contour, then using the delaunay algorithm to draw lines in between the dancer. </span></div>
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<span class="s1">All the control of this effects is made with memo simpleGuiToo, modified for the occasion to receive OSC command. I have an OSC singleton pushing a message to the OF apps, received by each of my interface elements and OF class. That was the easiest way I found to be able to draw interface quite fast and be able to control it through OSC message instantly. The OSC message have just to have the same name I give to my interface elements.</span></div>
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<span class="s1"> Most of the other fx use in the show are build in Quartz Composer. Some of them are available on my <a href="https://github.com/pach/QtzPatches">github</a> too.</span></div>
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<span class="s1">Finally I would say a huge thanks to Tom Butterworth (bangnoise) and Anton Marini (vade) for their syphon technologies, which makes all that possible. Thanks again to Tom Butterworth to all the work on the QC sampler to make it more light and more stable. Thanks to vidvox for their amazing software. Thanks to all of the openFrameworks team and community. Thanks to Renaud Rubiano and the french team of didascalie.net, around tapemovie.</span></div>
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Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-21465408880662862022012-02-28T17:36:00.001-08:002012-03-04T19:50:23.183-08:00Proximity, reviewsI just finished one work I'm really proud and excited about, Proximity by Garry Stewart and the Australian dance theatre.<br />
Here is some footage from last week dress rehearsal.<br />
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And some review we had :<br />
<a href="http://www.artshub.com.au/au/news-article/reviews/performing-arts/proximity-187956">artshub</a><br />
<a href="http://www.glamadelaide.com.au/main/proximity-%E2%80%93-2012-adelaide-festival/">glamadelaide</a><br />
<a href="http://www.danceaustralia.com.au/review/australian-dance-theatre-proximity">dance australia</a><br />
<a href="http://www.theaustralian.com.au/news/arts/dance-on-the-spiders-web-of-technology/story-e6frg8n6-1226281988485">the australian</a><br />
<a href="http://www.adelaidenow.com.au/entertainment/festivals/proximity-by-australian-dance-theatre/story-fnb4fehg-1226281911313">the advertiser</a><br />
<a href="http://createdigitalmotion.com/2012/02/dance-technology-proximity-with-vdmx-quartz-composer-openframeworks-syphon/">And a post on create digital motion</a><br />
More images and technical specs details to come soon.<br />
<br />
<div class="blogpress_location">
Location:<a href="http://maps.google.com/maps?q=Hobsons%20Pl,Ad%C3%A9la%C3%AFde,Australie%40-34.932659%2C138.596385&z=10">Hobsons Pl,Adélaïde,Australie</a></div>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-73852499126135409702012-01-07T22:04:00.000-08:002012-02-04T16:12:10.089-08:00Proximity - teaser<div style="text-align: center;">
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Here is the teaser and cinema ad' for the current creation I'm working on with the Australian Dance Theater in Adélaide. More soon!...<br />
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press release :<br />
<i><a href="http://www.theaustralian.com.au/news/arts/dancers-caught-in-artists-video-web/story-e6frg8n6-1226238609563" target="_blank">the australian</a></i><br />
<i><a href="http://www.adelaidenow.com.au/entertainment/arts/a-creative-vision/story-e6frees3-1226261095649?fb_ref=rec-top&fb_source=timeline" target="_blank">adelaide now</a></i><br />
<i><a href="http://www.kryztoff.com/RAW/?p=4524" target="_blank">Krystoff Raw</a></i><br />
<a href="http://www.danceinforma.com/magazine/2012/01/dancing-in-our-proximity/" target="_blank"><i>dance informa</i></a>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-44401334573139116982011-10-10T21:55:00.000-07:002013-12-10T06:46:03.913-08:00Bionic Orchestra<br />
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<a href="http://www.bionicorchestra.fr/">Bionic Orchestra</a> est un projet de collectif mélant Beatbox (avec Ezra et LOS) et nouvelle technologie. Ce mélange a donner naissance à un premier spectacle doublé d'une installation interactive dans le dispositif du spectacle, présenté à Grenoble pour les rencontres d'i. Ce spectacle est amené à évoluer, et d'autres installations vont suivre prochainement.Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-65822154386157283692011-09-08T21:52:00.000-07:002012-01-07T21:53:17.659-08:00Le risque zero, ca n'existe pas<div style="text-align: center;">
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<a href="http://www.mabeloctobre.net/creations/le-risque-zero-ca-nexiste-pas-resume/">LE RISQUE ZÉRO, ÇA N’EXISTE PAS</a> est un objet hybride entre spectacle vivant, concert et exposition sous forme déambulatoire. <br />
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<i>auteur : Patrick Bouvet (In Situ © Éditions de l’Olivier) </i><br />
<i>traduction : Maria Zonina, Judith Depaule, Maria Fomina </i><br />
<i>conception, mise en scène : Judith Depaule </i><br />
<i>musique : Laurent Dailleau </i><br />
<i>vidéos : Provmyza (Galina Myznikova, Sergueï Provorov) </i><br />
<i>programmation, vidéo : Thomas Pachoud </i><br />
<i>régie vidéo et audio : Anna Tolkatcheva </i><br />
<i>scénographie : Maria Fomina </i><br />
<i>assistantes : Adèle Costa, Tatiana Godovanets </i><br />
<i>couture : Olga Malycheva </i><br />
<i>maquette du livre en russe : Elena Logyguina </i><br />
<i>coordination du projet pour la Russie : Ivetta Vetchehaïzer </i><br />
<i>avec : Anton Chtchagvine, Evguenia Denissova, Ekaterina Kabanova, Sergueï Karatchev, Youri Koudriavtsev, Evguenia Krylova, Aleksandr Lebedev, Mikhail Morozov, Tatiana Razoukhina, Irina Rodionova, Natalia Zapivokhina, Ilya Zyzine
</i></div>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-36014785099925350202011-06-20T21:38:00.000-07:002012-01-07T21:41:30.258-08:00Eruption of the End<div style="text-align: center;">
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<a href="http://eruptionoftheend.wordpress.com/">Eruption of the End</a> est un documentaire interactif de Rossella Piccino, crée au Fresnoy.<br />
Utilisation du kinect pour suivre les spectateurs dans l'espace, leurs affecter une bulle et une histoire.<br />
<br />Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-77907617661153187582011-05-13T21:35:00.000-07:002012-01-07T21:36:23.108-08:00le Sacre du Printemps<div class="separator" style="clear: both; text-align: center;">
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Creation vidéo pour le <a href="http://www.operanationaldurhin.eu/danse-2010-2011--trilogie-russe.html">Ballet du Rhin</a>, chorégraphie : Garry Stewart<br />
<br />Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-45093342362306434062011-03-15T21:18:00.000-07:002012-12-07T19:42:26.909-08:00Supernova<div class="separator" style="clear: both; text-align: center;">
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Installation "Supernova" par <a href="http://felicie.metaproject.net/">Félicie d'Estienne d'Orves</a>.Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-55656134014619830452010-09-15T21:12:00.000-07:002012-01-07T21:12:52.314-08:00Video Mapping on Moving Objects<div style="text-align: center;">
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Recherche autour des techniques de video mapping, notamment sur des objets en mouvements (controllés) dans un espace en 3D. Module pour OpenFrameworks disponible sur mon <a href="https://github.com/pach/ofxCvPosit">github</a>.</div>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-2278862562015497282010-01-10T21:06:00.000-08:002012-01-07T21:15:14.174-08:00Meme pas Morte<div style="text-align: center;">
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Vesna est une enfant de la Guerre. Elle a entre 8 et 10 ans. Après avoir fui un pays en conflit, elle se retrouve en lieu « sûr » dans une structure d’accueil d’un pays occidental. Mais pour Vesna les choses « normales » de la vie quotidienne ne veulent pas dire grand chose. Vesna, dotée d’un tempérament vif et impulsif, a contracté pendant la guerre de drôles d’habitudes et une vision du monde dont il lui est difficile de se défaire, elle a développé des facultés que les autres enfants n’ont pas comme de disparaître dans ses rêves, diurnes comme nocturnes. Les adultes qui l’entourent essaient de lui réapprendre à vivre et à oublier la guerre…
Dans le spectacle, Vesna prend la forme d’une marionnette virtuelle 3D en projection vidéo, contrôlée en direct. Elle dialogue avec le public et 2 acteurs, dans des décors virtuels.
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<i>conception, mise en scène, voix, régie marionnette : </i><i>Judith Depaule</i><br />
<i>coordination technique, programmation, régie vidéo temps réel : Thomas Pachoud, assisté de Louise Pequignot</i><br />
<i>graphisme, modélisation et animation de la marionnette, des décors, du rêve 2 : </i><i>Clément Bigot, Nicolas Fuminier, Anaëlle Moreau, Thomas Poulain</i><br />
<i>animation 3D : Zyriab Hamadouche, Anthony Le Saoût, Olga Lopina, Julien Raffard, François Ruiz, Magnouly Souvannavong, José Franklin Vasquez Perdomo, Jocelyn Violant</i><br />
<i>rendus graphiques, visuels : Géraldine Cugnière</i><br />
<i>animation rêve 1 : Angèle Chiodo, Morgane Le Pechon, Cerise Lopez</i><br />
<i>animation rêve 3 : Anaïs Caura, Adrienne Nowak</i><br />
<i>bande son : Hervé Allouch, Laurent Dailleau, Nicolas Deflache, Julien Fezans, Corentin Lebon, Xavier Rémy, Antoine Villette</i><br />
<i>langue imaginaire : Pierre Lanchantin, Christophe Veaux (Ircam – Centre pompidou – équipe Analyse Synthèse)</i><br />
<i>musique : Nadia Ratsimandresy (ondes Martenot)</i><br />
<i>lumières : Loïc Savina et Maïka Knoblich</i><br />
<i>costumes, poupée : Misa Ishibashi</i><br />
<i>régie générale : Cyril Gouard ou Julien Fezans</i><br />
<i>avec : Fabien Audusseau, Charlotte Ramond, Nadia Ratsimandresy ou Augustin Viard (ondes Martenot) et Vesna (marionnette virtuelle)</i><br />
<i>et la participation de Thomas Cepitelli(dramaturgie) ; Adèle Costa (voix témoin, modèle marionnette, dessin) ; Pascal Vannson (direction voix) ; Andréa Wesfreid (danse) ; Robert Benett (consultation mouvement) ; Bruno Pocheron (lumières) ; Denis Eyriey, Alain Gintzburger, Judith Morisseau (jeu) ; Adrien Lourdelle, Emilie Lourdin (Blender) ; Naailah Aly, Angélique Massard, Nathalie Morin, Ségolène Naline, Grégoire Tarizzo (recherches motion capture)
</i>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-53164929337454999102009-06-20T20:33:00.000-07:002012-01-07T21:00:51.608-08:00Le Jardin des Délices<iframe frameborder="0" height="276" src="http://www.dailymotion.com/embed/video/x9orrs" width="480"></iframe><br />
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Pièce chorégraphique pour 9 danseurs et un pianiste de <a href="http://blancali.fr/fr/event/2/le-jardin-des-delices">Blanca Li</a><br />
Inspirée du tableau de Jérôme BoschAnonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-71937058098760085022009-03-10T20:26:00.000-07:002012-01-07T21:01:08.896-08:00La folie de Janus<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.mabeloctobre.net/wp-content/uploads/Janus3-e1297778789456.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="http://www.mabeloctobre.net/wp-content/uploads/Janus3-e1297778789456.jpg" width="265" /></a></div>
Durant la guerre civile de 98 du Congo, Zatou quitte Brazzaville, se réfugie dans la forêt du Pool, puis dans un camp du HCR en RDC. Suite à lʼappel de son gouvernement, il accoste en mai 99 avec ses congénères au Beach de Brazzaville. Il se remémore ses années en forêt et les exactions dont a été victime sa famille. Mais les rapatriés sont triés, certains sont conduits vers des destinations inconnues…<br />
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<i>texte : Sylvie Dyclo-Pomos, publié in Écritures d’Afrique, Paris, Cultures France Editions, 2007 </i><br />
<i>mise en scène : Judith Depaule </i><br />
<i>vidéo et programmation : Olivier Heinry et Thomas Pachoud</i><br />
<i>bande son : Philip Griffith </i><br />
<i>scénographie au Congo Papythio Matoudidi </i><br />
<i>costumes : Ludovic Louppé </i><br />
<i>lumières : Brunel Makoumbou
avec Ludovic Louppé</i><br />
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<span style="font-family: helvetica, verdana, arial, sans-serif;"><span style="font-size: 14px; line-height: 15px;"><a href="http://www.mabeloctobre.net/creations/la-folie-de-janus/">http://www.mabeloctobre.net/creations/la-folie-de-janus/</a></span></span>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-80214372153333708612009-01-05T20:21:00.000-08:002012-01-07T21:01:27.149-08:00Les revelations d'une ombre<div class="separator" style="clear: both; text-align: center;">
<a href="http://didascalie.net/show_image.php?id=2105" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="191" src="http://didascalie.net/show_image.php?id=2105" width="400" /></a></div>
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<i><i style="text-align: center;"><i><span style="font-size: xx-small;">crédits photo : <a href="http://candicemilon.com/">Candice Milon</a></span></i></i></i></div>
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Librement inspiré de l’univers fantastique des contes d’E.T.A Hoffmann, le spectacle propose la découverte de mystérieux territoires de l’ombre à travers la rencontre d’un magicien musicien avec l’espiègle génie des ombres.
Sorti de sa platitude forcée, le génie explore les facettes cachées et proliférantes de sa personnalité. Mais comment faire pour apprivoiser une matière aussi subtile que l’ombre ?
Pour tout public à partir de 10 ans, le dialogue musical et visuel qui se tisse entre les deux personnages est l’occasion d’une exploration de phénomènes extraordinaires. C’est aussi une invitation à oublier ses propres certitudes pour mieux découvrir la richesse de l’autre et la poésie du monde.<br />
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<i>Avec Mercé de Rande (danse) et Xavier Rosselle (jeu et saxophone) </i><br />
<i>Mise en scène et dispositif vidéo : Georges Gagneré </i><br />
<i>Chorégraphie : Mercé de Rande </i><br />
<i>Composition musicale : Tom Mays </i><br />
<i>Lumière : Nathalie Perrier </i><br />
<i>Réalisation des images, scénographie et régie vidéo : Renaud Rubiano </i><br />
<i>Assistant réalisation sonore et régie audio : Olivier Pfeiffer </i><br />
<i>Costumes : Danièle Haas </i><br />
<i>Assistant régie vidéo : Thomas Pachoud </i><br />
<i>Construction du décor : Frédéric Chomette (La Filature) </i><br />
<i>Diffusion : Elisa Fourcaudot </i><br />
<i>Espace image La Filature : Emmanuelle Walter </i><br />
<i>Crédits photographiques : Candice Millon
avec la complicité de l'équipe technique de la Filature</i>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0tag:blogger.com,1999:blog-1832876019456379637.post-23474379110544659872007-09-30T20:09:00.000-07:002012-01-07T21:01:54.493-08:00Vous en Revez (Youri l'as fait)<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.mabeloctobre.net/wp-content/uploads/Vous-en-r%C3%AAvez-53-e1302863506572.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="http://www.mabeloctobre.net/wp-content/uploads/Vous-en-r%C3%AAvez-53-e1302863506572.jpg" width="265" /></a></div>
En quoi peut-on dire que Gagarine est le dernier grand héros positif d’une époque désormais révolue ? Quelles sont les images qui nous en restent ? Qu’est-ce qu’un héros du 20e siècle, a fortiori communiste ? Comment ça se fabrique ? Quels mécanismes de propagande cela induit ? Qu’en est-il du regard que nous portons sur lui et dans quelle mesure sommes-nous responsables de son héroïsation ? Où en est notre fascination pour le cosmos 50 ans après l’envoi du premier spoutnik le 4 octobre 1957 qui émut le monde entier ? Que reste-t-il du 1er homme de l’univers et de son sourire légendaire ?
À partir de documents d’archives (papier, photo, vidéo et audio), de témoignages recueillis pour l’occasion, d’un univers onirique musical et visuel, le spectacle explore ces questions et réinterroge notre envie ancestrale de nous élever dans les airs en quête d’une inaccessible liberté.<br />
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<i>conception, mise en scène : Judith Depaule </i><br />
<i>assistanat à la mise en scène : Katia Grosse-Ponomareva </i><br />
<i>dramaturgie : Thomas Cepitelli </i><br />
<i>scénographie : Chloé Fabre</i><br />
<i>costumes : Misa Ishibashi </i><br />
<i>lumières : Bruno Pocheron </i><br />
<i>vidéo : Olivier Heinry </i><br />
<i>Robot : Thomas Pachoud</i><br />
<i>animation : Martin Depaule, Jean-Charles Mouveaux </i><br />
<i>images aériennes : Denis Gaubert / pilote : Florent Oddon </i><br />
<i>création musique : Laurent Dailleau </i><br />
<i>conception sonore : François Parra </i><br />
<i>construction : Ivann Le Gall, Laurent Livet </i><br />
<i>direction technique : Pierre Garcia / Denis Gobin </i><br />
<i>presse : Cécile Morel </i><br />
<i>jeu :</i><br />
<i>Laurent Dailleau (theremin) </i><br />
<i>Denis Eyriey </i><br />
<i>Judith Morisseau </i><br />
<i>Victor Ponomarev </i><br />
<i>Nadia Ratsimandresy (ondes Martenot) </i><br />
<i>Ostap Tchovnovoï </i><br />
<i>et en alternance Adèle Costa, Dimitri Meliz
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<a href="http://www.mabeloctobre.net/creations/vous-en-revez/">http://www.mabeloctobre.net/creations/vous-en-revez/</a>Anonymoushttp://www.blogger.com/profile/15345886889203603502noreply@blogger.com0